Payoon Gerinto<\/a><\/em><\/figcaption><\/figure><\/div>\n\n\n\nThe village of Takayama in Nara has been the chasen<\/em>-making centre of Japan for centuries<\/strong>, and this is where 90% of Japanese tea whisks are made. Traditionally crafted bamboo chasen<\/em> are made entirely by hand; it can take 2-3 years to make a single chasen<\/em>. <\/strong>Each chasen<\/em> is made of a single piece of bamboo split into strands. Legend has it that the form of chasen<\/em> we now use was designed in the c.1500s by poet Takayama Sozei.”(-1455). When you enter a tearoom, you will notice several bamboo elements in the room, including flower containers, water ladles, and incense boxes, which are all used in chanoyu<\/em>. <\/p>\n\n\n\nJapanese Lacquerware<\/h3>\n\n\n\n The East Asian history of lacquerware goes back thousands of years. In the tearoom, Japan\u2019s lacquerware (\u6f06\u5668, shikki<\/em>) tradition is represented by lacquered trays or boxes used to serve sweets and the natsume<\/em> (\u68d7), the ceremonial tea caddy for usucha<\/em><\/strong><\/em> (\u8584\u8336, thin tea). <\/strong>Natsume<\/em> are named after the jujube or Chinese red date. They are traditionally made from wood and coated with layers of black or red urushi<\/em> lacquer, which hardens as it cools. The base can be left plain or decorated using gold and silver powders <\/strong>to create elaborate designs. This technique is called maki-e<\/em><\/strong> (\u8494\u7d75, sprinkled picture). Natsume<\/em> have a rounded cylindrical shape, slightly wider at the top, and a gently domed lid. <\/p>\n\n\n\nTraditional Japanese Sweets Served for the Tea Ceremony<\/h2>\n\n\n\n Japanese confectionery has a history spanning thousands of years. Its three primary influences are Chinese sweets, chanoyu,<\/em> and the arrival of Westerners in Japan.<\/strong> Sugar was once a luxury item, only enjoyed by the aristocracy. However, once Spanish and Portuguese merchants arrived, refined sugar became much more readily available. From the Edo period (1603-1867) onwards, wagashi<\/em> (\u548c\u83d3\u5b50) came into its own, and demand exponentially increased. At the same time, chanoyu<\/em> was also growing in popularity and these two art forms supported each other\u2019s development. Chado<\/em> contains elements that appeal to all five senses, including taste.<\/strong> We can admire the beauty of calligraphy and feel the glaze of a chawan<\/em> beneath our touch. Wagashi<\/em>, the Japanese sweets served before tea, are designed to stimulate both our sight and taste. <\/p>\n\n\n\nWagashi<\/em>, the Japanese sweets served before tea, are designed to stimulate both our sight and taste. <\/figcaption><\/figure><\/div>\n\n\n\nThe term wagashi<\/em> was coined during the Meiji era (1868-1912)<\/strong> wa<\/em> (\u548c) meaning Japanese, and gashi<\/em> (\u83d3\u5b50), meaning sweets. Two varieties of wagashi<\/em> are served during the tea ceremony. Namagashi<\/em> (\u751f\u83d3\u5b50, fresh, moist sweets) like nerikiri<\/em> (\u7df4\u308a\u5207\u308a), made from red and white bean paste and shaped by hand into the form of seasonally specific flowers, are served just before koicha<\/em> (\u6fc3\u8336, thick tea.) These sweets are designed to be the perfect pairing for the tea, and their delicate sweetness is the ideal foil for koicha<\/em>. Dry sugar sweets called higashi<\/em> (\u5e72\u83d3\u5b50), which are pressed into the shapes of seasonal symbols and plants, are served just before the guests enjoy their usucha<\/em>. These edible works of art represent the very best of traditional Japanese confectionery. <\/strong><\/p>\n\n\n\n<\/div>\n\n\n\n
The tearoom acts as a sanctuary from the modern world<\/strong> and the perfect, minimal exhibition space to showcase the myriad forms of Japanese art and aesthetics visible during the tea ceremony. It is also the only place outside a museum or private residence where you can see all these Japanese art forms in one place.<\/strong> Moreover, these items are alive and actively used in the tearoom, just as they were during Sen no Riky\u016b\u2019s lifetime.<\/p>\n\n\n\nChado<\/em> is an art form that results <\/strong>in an elegant dance across the tatami of the tearoom. The practice of chanoyu<\/em> cultivates an attitude of appreciation, quiet observation, and gratitude<\/strong>. It teaches us to broaden our definition of beauty to include objects we might not have considered previously. The more I study chanoyu<\/em>, the more I value minimalism and understand the merits of a single bud over a bouquet.<\/p>\n","protected":false},"excerpt":{"rendered":"My introduction to the world of Japanese tea ceremony (\u8336\u9053,\u00a0chado)\u00a0took place during my first visit to Japan in 2016. Everywhere…<\/p>\n","protected":false},"author":206,"featured_media":94703,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"pgc_meta":"","footnotes":""},"categories":[26,2050],"tags":[1322,1329,1362],"class_list":{"0":"post-94676","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture","8":"category-things-to-know","9":"tag-kimono","10":"tag-tea","11":"tag-tradition"},"acf":[],"yoast_head":"\n
Japanese Tea Ceremony: The Steps, Crafts & Utensils of Chado<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n\t \n\t \n\t \n