Skip to main content

Ryusuke Hamaguchi’s Drive My Car is a road trip in more ways than one. What started out as a cinematic adaptation of Haruki Murakami’s eponymous short story took on a life of its own as the filmmaker added original characters, shifted the location and refined the script, eventually polishing it into the three-hour film that was awarded Best Screenplay at Cannes in 2021 and Best International Feature Film at the Academy Awards in 2022.

Uncle Vanya in Hiroshima

Although the short story was originally set in Tokyo, congested traffic in the Japanese metropolis made it less suitable for filming long driving sequences on the road. The initial plan was to set the film in Busan, South Korea, but Covid restrictions in 2020 made that impossible. So, the crew finally decided to relocate the main action to Hiroshima. As the film continued to adapt to the new city, the expert Hiroshima Film Commission offered insightful recommendations for particular locations, such as the idiosyncratic incineration plant.

One of the locations of Drive my Car

Drive My Car opens with an extended prologue in Tokyo, which introduces us to the actor and stage director Yusuke Kafuku (Hidetoshi Nishijima) and his intense, intimate relationship with his wife Oto (Reika Kirishima). After she dies suddenly, he is tormented by grief and regret, and breaks down while performing the title role in the play Uncle Vanya.

A few years later, Kafuku travels to Hiroshima to direct an international, multilingual production of Uncle Vanya for a theater festival, and the emotional core of Drive My Car begins in earnest. Here are some of the key locations in Hiroshima where the movie was finally shot.

International Conference Center Hiroshima

Where Kafuku first meets his Hiroshima festival hosts on the second floor. To his dismay, they inform him that he must be chauffeured around in his own car for insurance reasons. Down in the garage, he is introduced to his young female personal driver Misaki Watari (Toko Miura).

Located inside the Peace Memorial Park 平和記念公園 right across from the museum, the current International Conference Center Hiroshima 広島国際会議場 was rebuilt in 1989 based on the Hiroshima City Public Hall designed by acclaimed architect Kenzo Tange. But the building’s most compelling characteristic from a driver’s standpoint may be its signature gray brick roundabout driveway.

Peace Memorial Park

Where the actors go to rehearse their parts together face to face in the open air, after many hours spent reading their lines at the table indoors. They find a secluded area off to the side of the main paths of the park just behind the Conference Center, shaded by trees on a carpet of autumn leaves.

Bar Cedar

Where the young actor Koji Takatsuki (Masaki Okada) invites Kafuku for a drink and confronts him about his incongruous decision to cast him as Uncle Vanya. After confessing his unrequited love for Oto on a previous night at another bar inside the Grand Prince Hotel, tension grows between the two actors.

Shintenchi Park

Where Watari waits for the two men a few blocks away in a small outdoor parking lot, and where Takatsuki momentarily disappears during what we later learn was a violent beating in the park, for which he will be arrested during a dress rehearsal.

Shintenchi Park 新天地公園 is a very central, compact community plaza in the heart of downtown Hiroshima. It’s known for its retro atmosphere, surrounded by trendy bars and restaurants, as well as large stores including Hiroshima Parco and Don Quijote, not to mention the timeless Okonomimura.

Naka Incineration Plant

Where Watari takes Kafuku to show him her favorite quiet place to think. This is his request after learning that Takatsuki will no longer be available to play Uncle Vanya, and that the pressure is now on him to play the role himself, despite his anxieties. It’s an unexpectedly emotional sequence, as Watari begins to open up to Kafuku about her own past, and Kafuku begins to listen.

The Naka Incineration Plant’s Ecorarium is a fascinating corridor with transparent factory walls leading straight through to the open port. It’s also the southernmost point on Hiroshima’s famous Axis of Peace that extends from the Atomic Bomb Dome through the Cenotaph for A-bomb Victims inside the park, the Peace Memorial Museum, the flame and the fountain, all the way down to Hiroshima Bay.

Drive Me To Mitarai

While in the film Kafuku requested accommodation about an hour’s drive away from their rehearsal space inside Hiroshima’s Peace Memorial Park, the actual journey to Mitarai, technically part of Kure, takes around 2.5 hours.

Tobishima Kaido

Where Kafuku’s iconic red Saab 900 Turbo hops across islands, bridges and tunnels on the way to his temporary accommodation during his residency in Hiroshima.

The highly scenic Tobishima Kaido とびしま海道 route across the Seto Inland Sea rivals the Shimanami Kaido for cyclists. Featured bridges include Akinada Ohashi, Kamagari Ohashi, Toyoshima Ohashi, and Toyohama Ohashi.

Kangetsuan Shintoyo

Where Kafuku effectively stays and works on the theater script with a view of the sea from his second-floor window. 

The refurbished house, Kangetsuan Shintoyo 閑月庵新豊, is actually a small villa that can accommodate guests with exquisite meals included, located in the heart of the Mitarai Townscape.

Mitarai Townscape 

This diligently preserved Edo-period townscape of wooden merchant houses, shrines, stone piers and lighthouses is nestled at the remote end of the Tobishima Kaido on the island of Osaki-Shimojima. Situated in the middle of the Seto Inland Sea, Mitarai once flourished as a pivotal port town where seafarers stayed to wait for favorable tides and winds.

Several other sequences in the film were shot on location and from vantage points in this area.

See the Hiroshima Film Commission’s complete map of locations.

After 1945, Hiroshima was often associated with wartime images of nuclear devastation. Just as Kafuku and Watari finally rise from their ashes, the international success of Drive My Car has helped change the image of the deeply scarred city as a place of reconstruction, reconciliation, resilience, and rebirth.

Cherise Fong

Cherise Fong

Originally from San Francisco, currently living in Tokyo, preferably traveling by bicycle. Always seeking out invisible ecosystems, untold stories and new perspectives to connect Japan's cultural and physical landscapes.

Leave a Reply